Artist Media Archiving Project at The New Museum


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Time to dig out your old floppy disks! XFR STN (Transfer Station) opens this July, An open-door policy at this dedicated fifth floor gallery space at the New Museum provides artist with a media archiving project. Learn more or sign up for a free appointment.

The New Museum is accepting requests from the public for digital preservation of artist-produced moving image and born-digital content. Appointments for transfer and recovery are available from July 17 through September 8, 2013, transfers occur as part of the exhibition/lab “XFR STN” and take place on the Fifth Floor of the Museum from 11 a.m. to 6 p.m. Wednesdays, Fridays, Saturdays, and Sundays, and from 11 a.m. to 8:30 p.m. on Thursdays. All requests meeting the specified requirements will be scheduled on a first come, first served basis.

Artists are invited to submit online requests, limited to one moving image appointment and one born-digital appointment per artist. Appointments last three hours and include orientation, analysis of materials for transfer, and transfer time. All appointments are facilitated by trained preservation technicians. Artists are expected to assist technicians and remain in the exhibition for the duration of the appointment. These three-hour appointments will be utilized not only for the process of recovery and analysis, but as an opportunity to engage in a dialogue with the artist so that information about the materials may be documented.

XFR STN” at the New Museum is committed to addressing the wider need in the community of artists for access to media capture and migration services as a means to preserve creative productions stored in aging and obsolete audiovisual and digital formats, and the massive storage infrastructure needed to steward these recovered materials. Within the parameters of “XFR STN,” the Museum seeks to assist the greatest number of artists with a range of digitization services. In meditating on the nature of preservation and distribution of media past and present, the Museum acknowledges its inability to provide digitization services for all media formats. These limitations arise from a commitment to best possible practices within the scope of the exhibition. Appointments are subject to availability. Appointments will be granted only to those with artist-originated material.

Recovery Process
For each appointment, technicians will advise artists on best practices for preservation and transfer. Appointment times include both material analysis and digitization processes. To determine material for moving image transfer, artists are asked to consider a 2:1 ratio of digitization to assessment time. For example, two hours of video transfer necessitates one hour of preparatory time. Artists are advised to prioritize specific material for transfer and bring to appointments secondary media options. For appointments to recover born-digital materials, artists are required to bring their own storage media for the recovered materials, should they opt out of distribution through the Internet Archive. This storage media must be large enough to accommodate the recovered materials.

Scheduling Details
Three-hour appointments are held twice a day beginning at 11 a.m. and 3 p.m. for both moving image and born-digital transfers. Once appointments are scheduled, artists will receive a confirmation email with all necessary details relating to appointment time, preparation of materials, and procedures. Artists arriving at the New Museum for a transfer appointment will receive free admission to the Museum for their appointment and are required to attend the appointment for the duration of transfer. Appointments may be requested up to two weeks in advance. The Museum estimates scheduling statuses to be emailed out no later than one week in advance of appointment times. In the event of a cancellation, artists are asked to notify the Museum immediately. A limited number of transfer slots are available, and rescheduled appointments are not guaranteed. To schedule your appointment, look here.

Frequently Asked Questions

Why these formats?
“XFR STN” initially arose from the need to preserve the Monday/Wednesday/Friday Video Club distribution project, a collection that primarily consists of video material, including Betacam SP, U-Matic, VHS, Hi-8, and MiniDV.

Can I opt out of the Internet Archive?
In the case of moving image, no. By agreeing to digitize videotape material through “XFR STN” at the New Museum, you agree to make all digital surrogates available for storage and free distribution online via the Internet Archive. This requirement supports the long-term storage and preservation of high-resolution derivatives that would otherwise be at risk of loss or destruction.
Exceptions will only be made for born-digital materials that the artist deems potentially sensitive (i.e., containing personal or private information).

What level of quality can I expect?
Preservation-grade digital versions of analog videotapes will be generated as 10-bit uncompressed QuickTime MOV files. Digital videotape formats will be transferred in their original codecs. Users will be able to download the full-quality files online at the Internet Archive, as well as smaller compressed derivatives.


All media submitted must be original material generated by the artist. All rights and permissions to material must be attended to by the artist. See scheduling form for more information. The following media formats can be accommodated:

Moving Image (NTSC only):

•3/4″ U-Matic
•Betacam SP
•3.5” Floppy Disk
•5.25” Floppy Disk
•Zip Disk
•JAZ Disk
•Compact Disc
•IDE/PATA Hard drives

All moving image materials that are digitized as part of the exhibition will be made publicly available by the New Museum on the Internet Archive, a nonprofit institution whose mission includes offering “free and open access to all the world’s knowledge” and to provide permanent access for researchers, historians, scholars, people with disabilities, and the general public to cultural heritage collections. All artists submitting moving image materials will be able to download preservation-grade digital versions of their materials from the Internet Archive. Born-digital materials that are digitized as part of the exhibition can be made available by the New Museum on the Internet Archive at the artist’s discretion. As part of “XFR STN,” selections from the digitized content posted on the Internet Archive will be informally screened in the exhibition galleries.

The New Museum is the only museum with a mission to promote new art and new ideas, and the only museum in New York City devoted exclusively to contemporary art. Founded in 1977, the Museum was conceived as a center for exhibitions, information, and documentation about living artists whose works did not yet have wide public exposure or critical acceptance. It has a unique history of being founded by a curator—Marcia Tucker—who had neither personal resources nor a collection, just abundant resourcefulness and a passion for living culture. At its inception, the Museum lay somewhere between a grassroots alternative space and a major museum devoted to proven historical values. The deliberate paradox was embodied in the name “New Museum” and Tucker’s daring vision and combative idea to present new art in a critical and scholarly context.

The New Museum has evolved over the past thirty plus years, from its humble beginnings as a startup in a one-room office on Hudson Street in 1977, to a gallery space in the New School later that year, to its expansion and relocation to SoHo in 1983, to the inauguration of its first freestanding, dedicated building in 2007. Our culture has also evolved over this period of time and contemporary art is more widely embraced today. The NewMuseum has an important and influential legacy and role to keep breaking new ground. A site of ongoing experimentation and questioning of what art and institutions can be in the 21st century, the NewMuseum continues to look to the future through programming that is open, fearless, and alive.


About Art Selectronic

Art Selectronic is an artist-led initiative, that supports grass-roots contemporary art that remains unswayed by fashion, trends or the whims of government funding. The project involves ongoing research into the placing of contemporary art, it’s audiences and it’s relationship to the everyday. We place great emphasis on context. Our mission is to support new works of contemporary art and foster an audience from a wide range of backgrounds.
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