Monthly Archives: May 2016

Future Tech: Expert Systems

Posted on May 26, 2016 by Art Selectronic

Artist Tom Estes for Art Selectronic at The Internet Yami-Ichi (Blackmarket) at Tate Modern. Estes’ work, like Science Fiction, is a sort of thought experiment and serves as a useful vehicle for “safely” discussing controversial topical issues, providing thoughtful social commentary on potential … Continue reading →

Posted in Uncategorized | Tagged 2 Loops Print, abstract systems, Anna Ridler, Arebyte, Art, Art Selectronic, ArtBots: The Robot Talent Show, Banrei, Blackmarket, Brian van Lijf, Chloe Spicer, Christophe Cachelin, Cloud8Art, code infinitizers, Contemporary Art, Digital, Digital Art, dorkbot: people doing strange things with electricity, Emiddio, Erik Zepka, Fabio Lattanzi Antinori, FZS + UMZ, GlitcHaus, INTERACTIVE EXHIBITION, Internet Yami Ichi, Irini Pigaditi, Jennifer Crouch, Jordi Canals, Julien Bader, KAAP,, Libby Heaney, London, machines, Marie Namur, Marta Velasco Velasco, Martin Lau, Minutiae, Mr.Nowhere, new media, Nukeme, Nye Thompson, OffPrint, One Life Remains, Pascale Loyens, performance, Photography, Psychosocial perspectives into the impact of locative and pervasive media use, Rob Walker, science fiction, Shinji Toya, Sigergallery, software, Tadeo Sendon, Tate, Tate Modern, the Internet of things, Tom Estes, Urban data visualization, Yinan Song | Leave a comment

Electric Winds

Posted on May 22, 2016 by Art Selectronic

Can it be long before the film rights to this triumph-over-adversity story are snapped up, and William Kamkwamba, the boy who dared to dream, finds himself on the big screen? He had a dream of bringing electricity and running water … Continue reading →

Posted in Uncategorized | Leave a comment

Navigating Accelerationism

Posted on May 14, 2016 by Art Selectronic

Conceptual prankster Tom Estes presents his work “Blitz” (2009) as a large screen digital projection for ONE MINUTE ONLY. The work will be shown as part of an exhibition and conference, Speeding & Braking: Navigating Acceleration for The Screen and Audiovisual Research Unit Continue reading →

Posted in Uncategorized | Tagged Abelardo G Fournier, Accelerationism, accelerationist philosophy, Alexander Senko, Alexander Wendt, Alexander Wilson, Amersham Arms, Ana Vaz, Anne Koppenburger, Annie Goh, AUDINT, Ayesha Hameed, Ben Harper, Benjamin Bratton, Blitz, C.W. Winter, Conceptual prankster, CONFERENCE, Cyberfeminist, Dale Cornish, Debonair, Deleuzo-Guattari, deterritorialisation, Dhanveer Singh Brar, Disjecta, Doreen Mende, Emma Charles, Esther Polak, Esther Polak/Ivar van Bekkum, Fiona Curran, Fragment on Machines, Frances Dyson, G05 St James Hatcham Church, Gary Zhexi Zhang, Goldsmiths, University of London., Graeme Arnfield, Graham Dunning, Hannah Catherine Jones, Hillegonda C Rietveld, Ingrid Lee, Ivar van Bekkum, James Andean, James C Wilkie, James Wilkie, Jez Riley French, Jim Bevington, Joanna Zylinska, Kodwo Eshun, Laura Oldfield Ford, Lawrence Lek, Lawrence Lek + Harun Farocki, LG01 PSH Building, Magnus Ayers, Maria-Kyveli Mavrokordopoulou, Mark Fisher, mma Charles, Morehshin Allahyari & Daniel Rourke, Nicholas Brooks, OFFAL (Orchestra For Females And Laptops), Pasi Valiaho, Paul Abbott, Peer Illner, Reproductive Time, Ryan Bishop, Ryan Kuo, Saly McIntyre, Scott Wark, Shelley Parker, Spectres of the Future, Speeding & Braking: Navigating Acceleration, Stefan Riebel, Susan Schuppli, The Screen and Audiovisual Research Unit, Tina Kendall, Tom Estes, Tristam Adams, Verina Gfader, Vindicatrix, Wilf Speller | Leave a comment

Monthly Archives: May 2016

Future Tech: Expert Systems

Electric Winds

Navigating Accelerationism

Archives

Meta