Tag Archives: thumbs-up

The Emotional Computer

Posted on June 15, 2013 by Art Selectronic

In this performance work artist Tom Estes explores the use of hand gestures and hand-over-face cues while wearing the mask of a Cyberman. Both nostalgic and futuristic, the performance provides a visual reflection on the technological advancements that are fast becoming … Continue reading →

Posted in Uncategorized | Tagged (EMG), (HCI), 7-digit phone numbers, A Portrait of Modern Movement, abstract systems, active participation of the audience, advanced capitalism, advertising, affective computing, AI, algorithms, Andrew Rickett, Art and Science, Art Pendeo, art world, artificial intelligence, Artists experimenting with science, Artists experimenting with scientific fields, audience active participation, biological intelligence, biology, body posture, brain-implants, Cambridge Ideas, cavemen, Charles Darwin, Co-speech gestures, Comic Sans, communal camera, communication, Computer Laboratory, computer science, computers, computers express emotions, Crowdsourcing, cultural mechanisms, culturally codified motions, Cyberman, Cyberman mask, Cybermen, cybernetic technology, cyberspace, cyborgs, digital networks, digitally recorded, disciplinary society, Dr. Lynell Burmark, Dr. Who, Eddie Walker, Edgar Allen Poe, Electromyography, emblem, emblematic gestures, emoticon, emotional inhibitors, emotional intelligence, engineering, enhanced abilities, Enya Jessica Onah, Erik Schmidt, Expression, Facial Affect Interference System, facial features, facial movements, fictional currencies, Fictional cyborgs, Finnley Elliot, fonts, futuristic, George Fredrick Farlie Dolan, gesture, group intelligence, Group Think, hand gestures, Harnessing The Hive, Helena Davey, Hello Kitty, Helvetica, Henk Gieskens, hive mind, hornburg Center for Professional Development, Hugo Brazao, human senses, Human–Computer Interaction, hyper-consumerism, Ian Davies, image-recognition apps, Images, immersive, indications of emotion, Ines Teles, infinitely reproductive, inherent meaning, interaction between humans and computers, interaction with computer systems, Jessie Ticehurst, John Berger, Katherine Hill, Kevin Hull, Kristian Borstlap, Laura D Milnes, Laurel Riek, London, long-term memory, Lucy Towle, machine intelligence, Manuel Grinon, material production, mathematics, McTaggart lectures, mechanical creature, Mechanical Turk, media theorist, Mind Reading, modern economics, Mondas, monitoring emotion, neuroscience, new technology, non-invasive monitoring, non-verbal, nostalgic, nuanced meaning, omputers understand emotions, organic, peace sign, performance, pervasive computing, peter robinson, physiological response, politics, portmanteau, Psychologist Albert Mehrabian, public relations, raised middle finger, Recognising complex cognitive mental states, revive lost memories, Rosalind Picard, Rosie O'Diriscoll, Sarah Gavin, Sarah Naim, science fiction, Secret AV, self-sustaining, shared intelligence, short-term memory, Sigmund Freud, signs, Sinead Reed-Forrester, slang words, smartphones, smiley faces, social networking sites, spectrum of meaning, speech, symbols, synthesis, synthetic, Tadas Baltruaitis, technological advancements, technology is a drug, television show, Tendayi Vine, The Age of Steel, the digital, The Emotional Computer, the expression of emotions, The expression of the emotions in man and animals, The Visual Collective Space, Theory of Collective Intelligence, thumb-texting, thumbs-up, Tom Estes, Tomas Pfister, University of Cambridge, University of Cambridge Computer Laboratory, verbal stimuli, Victoria Wilmott, visual literacy, visual stimuli, Vogue, Voguing, Vyner Street, Ways of Seeing | Leave a comment

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The Emotional Computer

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