Tag Archives: performance

Should We Be Worried? Artist Tom Estes On Net Neutrality

Posted on December 31, 2017 by Art Selectronic

Chosen by high profile judges from over 900 entries from around the globe, The AVBIV Selected Artists for 2017 at La Biennale di Venezia include Tom Estes’ Live Art Performance: The Anomaly Tom Estes‘ Live Art performance, The Anomaly, … Continue reading →

Posted in Uncategorized | Tagged abstract systems, Art, ARTIsm3160, censorship, Cinema Paradiso, Contemporary Art, cybersphere, Digital, Digital Art, digital technology, La Biennale di Venezia, Live Art, Net Neutrality, peer production knowledge, performance, Photography, place attachment and place identity in the hybrid city., Psychosocial perspectives into the impact of locative and pervasive media use, science fiction, The Anomaly, The Biennial Project, The Great Firewall of China, the Internet, the Internet of things, The Matrix, The Terminator, the Venice Biennale, Tom Estes, Urban data visualization | Leave a comment

Automation Nightmare: Scientists, Artists And Philosophers Warn We Are Creating A World Without Consciousness

Posted on April 17, 2017 by Art Selectronic

With the potential of an Artificial Intelligence to rival our own consciousness and the proliferation of robots in the workforce Abstract Expressionism created with robotics rather than the human hand is an interesting metaphor for our times. Image- Tom Estes … Continue reading →

Posted in Uncategorized | Tagged Action Painting, AI, Art, artificial intelligence, Bart Selman, Biomorphic, Consciousness, David Chalmers, DeepMind, Demis Hassabis, Elon Musk, Google, InDialogue, innovation, internet, Jaan Tallinn, Live Art, Max Tegmark, Nick Bostrom, performance, Ray Kurzweil, Sam Harris, Scientists, Skype, SpaceX, Stuart Russell, technology, Tesla, Tom Estes, Tom Kilby | Leave a comment

Future Tech: Expert Systems

Posted on May 26, 2016 by Art Selectronic

Artist Tom Estes for Art Selectronic at The Internet Yami-Ichi (Blackmarket) at Tate Modern. Estes’ work, like Science Fiction, is a sort of thought experiment and serves as a useful vehicle for “safely” discussing controversial topical issues, providing thoughtful social commentary on potential … Continue reading →

Posted in Uncategorized | Tagged 2 Loops Print, abstract systems, Anna Ridler, Arebyte, Art, Art Selectronic, ArtBots: The Robot Talent Show, Banrei, Blackmarket, Brian van Lijf, Chloe Spicer, Christophe Cachelin, Cloud8Art, code infinitizers, Contemporary Art, Digital, Digital Art, dorkbot: people doing strange things with electricity, Emiddio, Erik Zepka, Fabio Lattanzi Antinori, FZS + UMZ, GlitcHaus, INTERACTIVE EXHIBITION, Internet Yami Ichi, Irini Pigaditi, Jennifer Crouch, Jordi Canals, Julien Bader, KAAP,, Libby Heaney, London, machines, Marie Namur, Marta Velasco Velasco, Martin Lau, Minutiae, Mr.Nowhere, new media, Nukeme, Nye Thompson, OffPrint, One Life Remains, Pascale Loyens, performance, Photography, Psychosocial perspectives into the impact of locative and pervasive media use, Rob Walker, science fiction, Shinji Toya, Sigergallery, software, Tadeo Sendon, Tate, Tate Modern, the Internet of things, Tom Estes, Urban data visualization, Yinan Song | Leave a comment

The Emotional Computer

Posted on June 15, 2013 by Art Selectronic

In this performance work artist Tom Estes explores the use of hand gestures and hand-over-face cues while wearing the mask of a Cyberman. Both nostalgic and futuristic, the performance provides a visual reflection on the technological advancements that are fast becoming … Continue reading →

Posted in Uncategorized | Tagged (EMG), (HCI), 7-digit phone numbers, A Portrait of Modern Movement, abstract systems, active participation of the audience, advanced capitalism, advertising, affective computing, AI, algorithms, Andrew Rickett, Art and Science, Art Pendeo, art world, artificial intelligence, Artists experimenting with science, Artists experimenting with scientific fields, audience active participation, biological intelligence, biology, body posture, brain-implants, Cambridge Ideas, cavemen, Charles Darwin, Co-speech gestures, Comic Sans, communal camera, communication, Computer Laboratory, computer science, computers, computers express emotions, Crowdsourcing, cultural mechanisms, culturally codified motions, Cyberman, Cyberman mask, Cybermen, cybernetic technology, cyberspace, cyborgs, digital networks, digitally recorded, disciplinary society, Dr. Lynell Burmark, Dr. Who, Eddie Walker, Edgar Allen Poe, Electromyography, emblem, emblematic gestures, emoticon, emotional inhibitors, emotional intelligence, engineering, enhanced abilities, Enya Jessica Onah, Erik Schmidt, Expression, Facial Affect Interference System, facial features, facial movements, fictional currencies, Fictional cyborgs, Finnley Elliot, fonts, futuristic, George Fredrick Farlie Dolan, gesture, group intelligence, Group Think, hand gestures, Harnessing The Hive, Helena Davey, Hello Kitty, Helvetica, Henk Gieskens, hive mind, hornburg Center for Professional Development, Hugo Brazao, human senses, Human–Computer Interaction, hyper-consumerism, Ian Davies, image-recognition apps, Images, immersive, indications of emotion, Ines Teles, infinitely reproductive, inherent meaning, interaction between humans and computers, interaction with computer systems, Jessie Ticehurst, John Berger, Katherine Hill, Kevin Hull, Kristian Borstlap, Laura D Milnes, Laurel Riek, London, long-term memory, Lucy Towle, machine intelligence, Manuel Grinon, material production, mathematics, McTaggart lectures, mechanical creature, Mechanical Turk, media theorist, Mind Reading, modern economics, Mondas, monitoring emotion, neuroscience, new technology, non-invasive monitoring, non-verbal, nostalgic, nuanced meaning, omputers understand emotions, organic, peace sign, performance, pervasive computing, peter robinson, physiological response, politics, portmanteau, Psychologist Albert Mehrabian, public relations, raised middle finger, Recognising complex cognitive mental states, revive lost memories, Rosalind Picard, Rosie O'Diriscoll, Sarah Gavin, Sarah Naim, science fiction, Secret AV, self-sustaining, shared intelligence, short-term memory, Sigmund Freud, signs, Sinead Reed-Forrester, slang words, smartphones, smiley faces, social networking sites, spectrum of meaning, speech, symbols, synthesis, synthetic, Tadas Baltruaitis, technological advancements, technology is a drug, television show, Tendayi Vine, The Age of Steel, the digital, The Emotional Computer, the expression of emotions, The expression of the emotions in man and animals, The Visual Collective Space, Theory of Collective Intelligence, thumb-texting, thumbs-up, Tom Estes, Tomas Pfister, University of Cambridge, University of Cambridge Computer Laboratory, verbal stimuli, Victoria Wilmott, visual literacy, visual stimuli, Vogue, Voguing, Vyner Street, Ways of Seeing | Leave a comment

Free Enterprise: The Art of Citizen Space Exploration

Posted on February 24, 2013 by Art Selectronic

Free Enterprise: The Art of Citizen Space Exploration Fast forward to 2013. ARTSblock is to present the first contemporary art exhibition in the U.S. to present an international array of artists and organizations who are exploring the potential democratization of … Continue reading →

Posted in Uncategorized | Tagged abstract systems, aerospace engineer, Agnes Meyer-Brandis, Agnes Meyer-Brandis (Berlin), and XCOR Aerospace, Art, Arthur Woods (Zurich, artistic production, ARTSblock, Bradley Pitts, Bradley Pitts (New York), CA and Ljubljana, CA), Carrie Paterson (Los Angeles), Center for Land Use Interpretation (Culver City, Christian Waldvogel (Zurich, civilian space travel, Connie Samaras (Los Angeles), Contemporary Art, cooperatives, Cosmokinetial Kabinet Noordung – Postgravityart (Ljubljana, Cultural Center of European Space Technologies / KSEVT (Vitanje, democratization of space exploration, Digital Art, dolphin-shaped satellite, dorkbot: people doing strange things with electricity, drawing, eteam (New York), European Space Agency Topical Team Arts and Science (international participants), extraterrestrial communication, Final Frontier Design, Final Frontier Design (New York), Forrest Myers (New York), Francis Godwin, Frank Pietronigro, Frank Pietronigro (San Francisco), Free Enterprise, Free Enterprise: The Art of Citizen Space Exploration, Google Earth satellite, imulate microgravity, Inc. (Mojave, initiatives, international artists, International Space Station, JAXA, Kitsou Dubois (Paris), Lowry Burgess (Pittsburgh, mine minerals, MIR – Microgravity Interdisciplinary Research (international participants), Moon Goose Colony, NASA, national identity, Nejc Trošt (Slovenia/Houston, Noordung 1995::2045, PA), painting, parabolic flights, performance, Photography, private enterprise model, Projekt Atol Flight Operations (Santa Barbara, quasi-scientific experiment, Richard Clar (Paris/Los Angeles), Riverside, RKA, sculpture, Skeith De Wine (Santa Ana, Slovenia), Slovenian Space Agency, spacesuit technology, SpaceX, suborbital spacecraft, Switzerland, The Arts Catalyst (London, the Center for Land Use, The Man in the Moone, Trevor Paglen (New York), Trieste Constructivist Cabinet (Italy/Slovenia), TX), U.K.), University of California, video, XCOR Aerospace Inc | Leave a comment

Art Projects at The London Art Fair 2013

Posted on January 27, 2013 by Art Selectronic

It is not easy for small not-for-profit spaces and non-commercial groupings to show in an art fair. Launched in 2005, Art Projects has established itself as one of the most exciting sections of London Art Fair attracting widespread critical acclaim … Continue reading →

Posted in Uncategorized | Tagged 108 Fine Art, A Brooks Art, Abbey Walk Gallery, abstract systems, Adam Gallery, Advanced Graphics London, Agnew's Gallery, Alan Wheatley Art, Albemarle Gallery, ALISN, Angus-Hughes Gallery, Anthony Hepworth Fine Art Dealers, Art, Art Projects, ArtBots: The Robot Talent Show, Artist Led Initiatives Support Network, artist led organisations, audience, Axisweb, Beardsmore Gallery, Beaux Arts Bath, Beaux Arts London, Beers.Lambert Contemporary, Bella Easton, Bernard Chauchet Contemporary Art, Bicha Gallery, bo.lee gallery, Browse & Darby, Byard Art, Caroline Wiseman Ltd, CCA Galleries, Ceri Hand Gallery, CHARLIE SMITH london, chemical visionaries, Citizen science, code infinitizers, COLE, communal camera, conditional, Connaught Brown, Contemporary Art, Crane Kalman Brighton, Crane Kalman Gallery Ltd, critical trends, curated group displays, current social trends, cyberspace, Cyril Gerber Fine Art & Compass Gallery, Danielle Arnaud, Digital Art, digital recording, digital technology, digitally recorded, Dominic Guerrini, dorkbot: people doing strange things with electricity, Duncan R. Miller Fine Arts, easy assumptions, Edel Assanti Gallery, Edgar Modern, emerging talent, England & Co, Enitharmon Editions, Envie d'Art Galleries, Environmental sensing, Ewan Mundy Fine Art, FEEDBACK, Flowers Gallery, Four Square Fine Arts, french art studio, Galerie BRAUBACHfive, Galerie Olivier Waltman, galleries, Gallery Vela, GBS Fine Art Ltd, global communication, Hanmi Gallery, Hannah Barry Gallery, Harnessing The Hive, Hilger BROTKunsthalle, homogenised nature of global culture, Hoxton Art Gallery, Iavor Lubomirov, Installation, institutional freedom, interaction, INTERACTIVE EXHIBITION, inundated with information, Jacob's Island, La Scatola Gallery, large-scale installations, Limoncello, Live Art, London Art Fair, Lubomirov-Easton, machines, mediated, mega-nano-nauts, MOCA London, monoculture, non-commercial galleries, non-commercial groupings, noshowspace, not-for-profit spaces, Orion Contemporary, OSCILLATIONS, OSCILLATORS, passive witness, Patrick Davies Contemporary Art, PEER, peer production knowledge, performance, Poppy Sebire, privileged, protocol droid, Psychosocial perspectives into the impact of locative and pervasive media use, queer identity, radical approach, received opinion, reduction of life to a single image, role reversal, scientific, shaping condition, sleep cycle sleuths, social networking sites, social transformation, software, solo shows, sovereign freedom, SPAM, structuring paradox, Sublet, surveillance, The Catlin Guide 2013, the Internet of things, The Multiple Store, THE RESIDENCE GALLERY, The Sunday Painter, The Wapping Project Bankside, Tintype, Tom Estes, Troika Editions, unconditional, viral infiltration, visual, visual technology, voluntary relationship, Whitechapel Gallery, Works|Projects, world and culture, ]performance s p a c e [ | 1 Comment

Tom Estes- Crash Test Dummy

Posted on December 20, 2012 by Art Selectronic

Tom Estes Crash Test Dummy 2012 Part of Health & Safety Violation: A collaboration between Ben Woodeson and Tom Estes Health & Safety Violation is a project initiated at Lubomirov-Easton which brought together performance artist Tom Estes and sculptor Ben Woodeson … Continue reading →

Posted in Uncategorized | Tagged 108 Fine Art, A Brooks Art, Abbey Walk Gallery, abstract systems, action, Action Art, Adam Gallery, Advanced Graphics London, Agnew's Gallery, Alan Wheatley Art, Albemarle Gallery, ALISN, Angus-Hughes Gallery, Anthony Hepworth Fine Art Dealers, Art, Art Projects, ArtBots: The Robot Talent Show, Artist Led Initiatives Support Network, artist led organisations, audience, Axisweb, Beardsmore Gallery, Beaux Arts Bath, Beaux Arts London, Beers.Lambert Contemporary, Bella Easton, Ben Woodeson, Ben Woodeson and Tom Estes, Bernard Chauchet Contemporary Art, Bicha Gallery, bo.lee gallery, Browse & Darby, Byard Art, Caroline Wiseman Ltd, CCA Galleries, Ceri Hand Gallery, CHARLIE SMITH london, chemical visionaries, Citizen science, code infinitizers, COLE, collaboration, Columbia University, communal camera, Computer Music Center, conditional, Connaught Brown, Contemporary Art, Crane Kalman Brighton, Crane Kalman Gallery Ltd, Crash Test Dummy, critical trends, curated group displays, current social trends, cyberspace, Cyril Gerber Fine Art & Compass Gallery, Danielle Arnaud, Digital, Digital Art, digital recording, digital technology, digitally recorded, Director of Research, Dominic Guerrini, dorkbot: people doing strange things with electricity, Duncan R. Miller Fine Arts, easy assumptions, Edel Assanti Gallery, Edgar Modern, Electron wizards, emerging talent, England & Co, Enitharmon Editions, Envie d'Art Galleries, Environmental sensing, ephemeral performance art, Ewan Mundy Fine Art, experimental collaboration, FEEDBACK, Flowers Gallery, Four Square Fine Arts, fragile sculpture, french art studio, Galerie BRAUBACHfive, Galerie Olivier Waltman, galleries, Gallery Vela, GBS Fine Art Ltd, global communication, H&SV, Hanmi Gallery, Hannah Barry Gallery, Harnessing The Hive, Health & Safety Violation, Hilger BROTKunsthalle, homogenised nature of global culture, Hoxton Art Gallery, Iavor Lubomirov, Installation, institutional freedom, interaction, INTERACTIVE EXHIBITION, inundated with information, Jacob's Island, La Scatola Gallery, large-scale installations, Limoncello, Live Art, Live Art performance, London Art Fair, Lubomirov-Easton, machines, mediated, mega-nano-nauts, MOCA London, monoculture, non-commercial galleries, non-commercial groupings, noshowspace, not-for-profit spaces, on-line, Orion Contemporary, OSCILLATIONS, OSCILLATORS, participatory and immersive, passive witness, Patrick Davies Contemporary Art, PEER, peer production knowledge, performance, place attachment and place identity in the hybrid city., Placemaking, Poppy Sebire, privileged, protocol droid, Psychosocial perspectives into the impact of locative and pervasive media use, queer identity, radical approach, received opinion, reduction of life to a single image, role reversal, scientific, shaping condition, sleep cycle sleuths, social networking sites, social transformation, software, solo shows, sovereign freedom, SPAM, structuring paradox, Sublet, surveillance, The Catlin Guide 2013, the Internet of things, The Multiple Store, THE RESIDENCE GALLERY, The Sunday Painter, The Wapping Project Bankside, Tintype, Tom Estes, Troika Editions, unconditional, viral infiltration, visual, visual technology, voluntary relationship, Whitechapel Gallery, Works|Projects, world and culture, ]performance s p a c e [ | Leave a comment