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Tag Archives: La Biennale di Venezia
Should We Be Worried? Artist Tom Estes On Net Neutrality
Chosen by high profile judges from over 900 entries from around the globe, The AVBIV Selected Artists for 2017 at La Biennale di Venezia include Tom Estes’ Live Art Performance: The Anomaly Tom Estes‘ Live Art performance, The Anomaly, … Continue reading →
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Tagged abstract systems, Art, ARTIsm3160, censorship, Cinema Paradiso, Contemporary Art, cybersphere, Digital, Digital Art, digital technology, La Biennale di Venezia, Live Art, Net Neutrality, peer production knowledge, performance, Photography, place attachment and place identity in the hybrid city., Psychosocial perspectives into the impact of locative and pervasive media use, science fiction, The Anomaly, The Biennial Project, The Great Firewall of China, the Internet, the Internet of things, The Matrix, The Terminator, the Venice Biennale, Tom Estes, Urban data visualization
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Venice Residency
The Live Art Performance by Tom Estes at ‘’Parallax: Other Realms’ will inaugurate The Biennial Project’s expanded program of large screen digital projections at La Biennale di Venezia. The performance will coincide with Estes’ time at the newly founded Biennial … Continue reading →
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Tagged abstract systems, Art, artificial intelligence, Artist, Artpace, Atari video games, Bath Spa University, communal camera, Hammer Museum, La Biennale di Venezia, Live Art, mediated experiences, Nick Bostrom, Okwui Enwezor, Oxford Professor of Philosophy, Paolo Baratta, Parallax, Parliament of Forms, The Biennial Project, The Sims, the Venice Biennale, the Walker Art Center, Tom Estes, UCLA, Venice, Venice Residency, virtual reality
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