Tag Archives: the Venice Biennale

Should We Be Worried? Artist Tom Estes On Net Neutrality

Posted on December 31, 2017 by Art Selectronic

Chosen by high profile judges from over 900 entries from around the globe, The AVBIV Selected Artists for 2017 at La Biennale di Venezia include Tom Estes’ Live Art Performance: The Anomaly Tom Estes‘ Live Art performance, The Anomaly, … Continue reading →

Posted in Uncategorized | Tagged abstract systems, Art, ARTIsm3160, censorship, Cinema Paradiso, Contemporary Art, cybersphere, Digital, Digital Art, digital technology, La Biennale di Venezia, Live Art, Net Neutrality, peer production knowledge, performance, Photography, place attachment and place identity in the hybrid city., Psychosocial perspectives into the impact of locative and pervasive media use, science fiction, The Anomaly, The Biennial Project, The Great Firewall of China, the Internet, the Internet of things, The Matrix, The Terminator, the Venice Biennale, Tom Estes, Urban data visualization | Leave a comment

Venice Residency

Posted on April 23, 2015 by Art Selectronic

The Live Art Performance by Tom Estes at ‘’Parallax: Other Realms’ will inaugurate The Biennial Project’s expanded program of large screen digital projections at La Biennale di Venezia. The performance will coincide with Estes’ time at the newly founded Biennial … Continue reading →

Posted in Uncategorized | Tagged abstract systems, Art, artificial intelligence, Artist, Artpace, Atari video games, Bath Spa University, communal camera, Hammer Museum, La Biennale di Venezia, Live Art, mediated experiences, Nick Bostrom, Okwui Enwezor, Oxford Professor of Philosophy, Paolo Baratta, Parallax, Parliament of Forms, The Biennial Project, The Sims, the Venice Biennale, the Walker Art Center, Tom Estes, UCLA, Venice, Venice Residency, virtual reality | Leave a comment

The Vatican and The Venice Biennale 2013

Posted on June 5, 2013 by Art Selectronic

‘Annunciation’ by Tom Estes, one of the winners of Art Venice 2013, selected by The Biennale Project for The Venice Biennale. The title of the work ‘Annunciation’ is a Biblical term which means the announcing of ‘the incarnation’ or a materialization of the … Continue reading →

Posted in Uncategorized | Tagged 'Annunciation' by Tom Estes, Aleister Crowley, Andres Serrano, Annunciation, art calendar, Art Venice 2013, Azzurro, Biennale di Venezia, Cardinal Gianfranco Ravasi, Catholic Church, Creation, Danaë, fictional or desired worlds, Genesis, Goya, Greek mythology, Italian, Italy, Josef Koudelka, Lawrence Carroll, Massimiliano Gioni, Maurizio Cattelan, Micol Forti, multiple worlds, Pavilion of the Holy See, Piss Christ, Pontifical Council for Culture, Pope John Paul II, possible, protesters in Avignon, Raphael and Michelangelo, Re-creation, religious works, Renaissance and baroque art, the 55th Venice Biennale, The Bible, The Biennale Project, The Encyclopedic Palace, the Holy See, The New Museum, the Roman Catholic church, The Russian Pavilion, The Vatican, the Vatican museum, the Venice Biennale, The Venice Biennale 2013, Tom Estes, Uncreation, Vadim Zakharov | Leave a comment

JONAS MEKAS Retrospective

Posted on January 24, 2013 by Art Selectronic

The Serpentine , Centre Pompidou, Paris, and BFI Southbank, London, are each presenting a season of film and video work celebrating Mekas’s contribution to cinema. Film-maker, artist and poet Jonas Mekas (b.1922, Lithuania) has been a leading figure of avant-garde … Continue reading →

Posted in Uncategorized | Tagged Allen Ginsberg, Andy Warhol and ffilm-makers, Anthology Film Archives, avant-garde, Baltic Art Center, BFI Southbank, Bolex camera, Centre Pompidou, Cologne, Documenta 11, film, Film-Makers' Cooperative, Harmony Korine, independent cinema, Jim Jarmusch, JONAS MEKAS, Kenneth Anger, London, Martin Scorsese, Maya Deren., Mike Figgis, MoMA, Movie Journal, Museum Ludwig, New York, Paris, photographic works, PS1, Retrospective, Sweden, the Metropolitan Museum of Photography, The Serpentine, the Venice Biennale, The Whitney Museum of American Art, Tokyo, video | 3 Comments

Nam June Paik: Retrospective

Posted on January 9, 2013 by Art Selectronic

Nam June Paik “Watchdog” The artwork and ideas of Nam June Paik were a major influence on late 20th-century art and continue to inspire a new generation of artists. The Nam June Paik Archive was acquired by The Smithsonian American Art Museum … Continue reading →

Posted in Uncategorized | Tagged 'Beuys' Voice', Centre Pompidou, Düsseldorf, Dieter Rosenkranz, Documenta, e Japanese engineer Shuya Abe, Electronic Superhighway, Fin de Siecle II, Galerie Bonino, Global Groove, Good Morning Mr. Orwell, Guadalcanal Requiem, Hessel Museum of Art at Bard College, Howard Wise Gallery, James Cohan, L’Olympe de Gouges in La fée électronique, Living with the Living Theatre, Magnet TV, Megatron/Matrix, Mercer Street, Musée d’Art Moderne de la ville de Paris, museum kunst palast, Museum Moderner Kunst in Vienna, Nam June Paik, Nam June Paik: Global Visionary, New York, New York City, PaikBot, Tate Liverpool, The Nam June Paik Art Center, The Smithsonian, The Smithsonian American Art Museum, The Solomon R. Guggenheim Foundation, the Venice Biennale, The Worlds of Nam June Paik, TV Buddha, TV Cello, TV Garden, Video Fish, Whitney Buddha Complex, Whitney Museum of American Art, WNET-TV, Yoko Ono, Zen for TV | Leave a comment