Tag Archives: Live Art

Should We Be Worried? Artist Tom Estes On Net Neutrality

Posted on December 31, 2017 by Art Selectronic

Chosen by high profile judges from over 900 entries from around the globe, The AVBIV Selected Artists for 2017 at La Biennale di Venezia include Tom Estes’ Live Art Performance: The Anomaly Tom Estes‘ Live Art performance, The Anomaly, … Continue reading →

Posted in Uncategorized | Tagged abstract systems, Art, ARTIsm3160, censorship, Cinema Paradiso, Contemporary Art, cybersphere, Digital, Digital Art, digital technology, La Biennale di Venezia, Live Art, Net Neutrality, peer production knowledge, performance, Photography, place attachment and place identity in the hybrid city., Psychosocial perspectives into the impact of locative and pervasive media use, science fiction, The Anomaly, The Biennial Project, The Great Firewall of China, the Internet, the Internet of things, The Matrix, The Terminator, the Venice Biennale, Tom Estes, Urban data visualization | Leave a comment

Automation Nightmare: Scientists, Artists And Philosophers Warn We Are Creating A World Without Consciousness

Posted on April 17, 2017 by Art Selectronic

With the potential of an Artificial Intelligence to rival our own consciousness and the proliferation of robots in the workforce Abstract Expressionism created with robotics rather than the human hand is an interesting metaphor for our times. Image- Tom Estes … Continue reading →

Posted in Uncategorized | Tagged Action Painting, AI, Art, artificial intelligence, Bart Selman, Biomorphic, Consciousness, David Chalmers, DeepMind, Demis Hassabis, Elon Musk, Google, InDialogue, innovation, internet, Jaan Tallinn, Live Art, Max Tegmark, Nick Bostrom, performance, Ray Kurzweil, Sam Harris, Scientists, Skype, SpaceX, Stuart Russell, technology, Tesla, Tom Estes, Tom Kilby | Leave a comment

Venice Residency

Posted on April 23, 2015 by Art Selectronic

The Live Art Performance by Tom Estes at ‘’Parallax: Other Realms’ will inaugurate The Biennial Project’s expanded program of large screen digital projections at La Biennale di Venezia. The performance will coincide with Estes’ time at the newly founded Biennial … Continue reading →

Posted in Uncategorized | Tagged abstract systems, Art, artificial intelligence, Artist, Artpace, Atari video games, Bath Spa University, communal camera, Hammer Museum, La Biennale di Venezia, Live Art, mediated experiences, Nick Bostrom, Okwui Enwezor, Oxford Professor of Philosophy, Paolo Baratta, Parallax, Parliament of Forms, The Biennial Project, The Sims, the Venice Biennale, the Walker Art Center, Tom Estes, UCLA, Venice, Venice Residency, virtual reality | Leave a comment

Art Projects at The London Art Fair 2013

Posted on January 27, 2013 by Art Selectronic

It is not easy for small not-for-profit spaces and non-commercial groupings to show in an art fair. Launched in 2005, Art Projects has established itself as one of the most exciting sections of London Art Fair attracting widespread critical acclaim … Continue reading →

Posted in Uncategorized | Tagged 108 Fine Art, A Brooks Art, Abbey Walk Gallery, abstract systems, Adam Gallery, Advanced Graphics London, Agnew's Gallery, Alan Wheatley Art, Albemarle Gallery, ALISN, Angus-Hughes Gallery, Anthony Hepworth Fine Art Dealers, Art, Art Projects, ArtBots: The Robot Talent Show, Artist Led Initiatives Support Network, artist led organisations, audience, Axisweb, Beardsmore Gallery, Beaux Arts Bath, Beaux Arts London, Beers.Lambert Contemporary, Bella Easton, Bernard Chauchet Contemporary Art, Bicha Gallery, bo.lee gallery, Browse & Darby, Byard Art, Caroline Wiseman Ltd, CCA Galleries, Ceri Hand Gallery, CHARLIE SMITH london, chemical visionaries, Citizen science, code infinitizers, COLE, communal camera, conditional, Connaught Brown, Contemporary Art, Crane Kalman Brighton, Crane Kalman Gallery Ltd, critical trends, curated group displays, current social trends, cyberspace, Cyril Gerber Fine Art & Compass Gallery, Danielle Arnaud, Digital Art, digital recording, digital technology, digitally recorded, Dominic Guerrini, dorkbot: people doing strange things with electricity, Duncan R. Miller Fine Arts, easy assumptions, Edel Assanti Gallery, Edgar Modern, emerging talent, England & Co, Enitharmon Editions, Envie d'Art Galleries, Environmental sensing, Ewan Mundy Fine Art, FEEDBACK, Flowers Gallery, Four Square Fine Arts, french art studio, Galerie BRAUBACHfive, Galerie Olivier Waltman, galleries, Gallery Vela, GBS Fine Art Ltd, global communication, Hanmi Gallery, Hannah Barry Gallery, Harnessing The Hive, Hilger BROTKunsthalle, homogenised nature of global culture, Hoxton Art Gallery, Iavor Lubomirov, Installation, institutional freedom, interaction, INTERACTIVE EXHIBITION, inundated with information, Jacob's Island, La Scatola Gallery, large-scale installations, Limoncello, Live Art, London Art Fair, Lubomirov-Easton, machines, mediated, mega-nano-nauts, MOCA London, monoculture, non-commercial galleries, non-commercial groupings, noshowspace, not-for-profit spaces, Orion Contemporary, OSCILLATIONS, OSCILLATORS, passive witness, Patrick Davies Contemporary Art, PEER, peer production knowledge, performance, Poppy Sebire, privileged, protocol droid, Psychosocial perspectives into the impact of locative and pervasive media use, queer identity, radical approach, received opinion, reduction of life to a single image, role reversal, scientific, shaping condition, sleep cycle sleuths, social networking sites, social transformation, software, solo shows, sovereign freedom, SPAM, structuring paradox, Sublet, surveillance, The Catlin Guide 2013, the Internet of things, The Multiple Store, THE RESIDENCE GALLERY, The Sunday Painter, The Wapping Project Bankside, Tintype, Tom Estes, Troika Editions, unconditional, viral infiltration, visual, visual technology, voluntary relationship, Whitechapel Gallery, Works|Projects, world and culture, ]performance s p a c e [ | 1 Comment

Tom Estes- Crash Test Dummy

Posted on December 20, 2012 by Art Selectronic

Tom Estes Crash Test Dummy 2012 Part of Health & Safety Violation: A collaboration between Ben Woodeson and Tom Estes Health & Safety Violation is a project initiated at Lubomirov-Easton which brought together performance artist Tom Estes and sculptor Ben Woodeson … Continue reading →

Posted in Uncategorized | Tagged 108 Fine Art, A Brooks Art, Abbey Walk Gallery, abstract systems, action, Action Art, Adam Gallery, Advanced Graphics London, Agnew's Gallery, Alan Wheatley Art, Albemarle Gallery, ALISN, Angus-Hughes Gallery, Anthony Hepworth Fine Art Dealers, Art, Art Projects, ArtBots: The Robot Talent Show, Artist Led Initiatives Support Network, artist led organisations, audience, Axisweb, Beardsmore Gallery, Beaux Arts Bath, Beaux Arts London, Beers.Lambert Contemporary, Bella Easton, Ben Woodeson, Ben Woodeson and Tom Estes, Bernard Chauchet Contemporary Art, Bicha Gallery, bo.lee gallery, Browse & Darby, Byard Art, Caroline Wiseman Ltd, CCA Galleries, Ceri Hand Gallery, CHARLIE SMITH london, chemical visionaries, Citizen science, code infinitizers, COLE, collaboration, Columbia University, communal camera, Computer Music Center, conditional, Connaught Brown, Contemporary Art, Crane Kalman Brighton, Crane Kalman Gallery Ltd, Crash Test Dummy, critical trends, curated group displays, current social trends, cyberspace, Cyril Gerber Fine Art & Compass Gallery, Danielle Arnaud, Digital, Digital Art, digital recording, digital technology, digitally recorded, Director of Research, Dominic Guerrini, dorkbot: people doing strange things with electricity, Duncan R. Miller Fine Arts, easy assumptions, Edel Assanti Gallery, Edgar Modern, Electron wizards, emerging talent, England & Co, Enitharmon Editions, Envie d'Art Galleries, Environmental sensing, ephemeral performance art, Ewan Mundy Fine Art, experimental collaboration, FEEDBACK, Flowers Gallery, Four Square Fine Arts, fragile sculpture, french art studio, Galerie BRAUBACHfive, Galerie Olivier Waltman, galleries, Gallery Vela, GBS Fine Art Ltd, global communication, H&SV, Hanmi Gallery, Hannah Barry Gallery, Harnessing The Hive, Health & Safety Violation, Hilger BROTKunsthalle, homogenised nature of global culture, Hoxton Art Gallery, Iavor Lubomirov, Installation, institutional freedom, interaction, INTERACTIVE EXHIBITION, inundated with information, Jacob's Island, La Scatola Gallery, large-scale installations, Limoncello, Live Art, Live Art performance, London Art Fair, Lubomirov-Easton, machines, mediated, mega-nano-nauts, MOCA London, monoculture, non-commercial galleries, non-commercial groupings, noshowspace, not-for-profit spaces, on-line, Orion Contemporary, OSCILLATIONS, OSCILLATORS, participatory and immersive, passive witness, Patrick Davies Contemporary Art, PEER, peer production knowledge, performance, place attachment and place identity in the hybrid city., Placemaking, Poppy Sebire, privileged, protocol droid, Psychosocial perspectives into the impact of locative and pervasive media use, queer identity, radical approach, received opinion, reduction of life to a single image, role reversal, scientific, shaping condition, sleep cycle sleuths, social networking sites, social transformation, software, solo shows, sovereign freedom, SPAM, structuring paradox, Sublet, surveillance, The Catlin Guide 2013, the Internet of things, The Multiple Store, THE RESIDENCE GALLERY, The Sunday Painter, The Wapping Project Bankside, Tintype, Tom Estes, Troika Editions, unconditional, viral infiltration, visual, visual technology, voluntary relationship, Whitechapel Gallery, Works|Projects, world and culture, ]performance s p a c e [ | Leave a comment