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Tag Archives: The Biennial Project
Should We Be Worried? Artist Tom Estes On Net Neutrality
Chosen by high profile judges from over 900 entries from around the globe, The AVBIV Selected Artists for 2017 at La Biennale di Venezia include Tom Estes’ Live Art Performance: The Anomaly Tom Estes‘ Live Art performance, The Anomaly, … Continue reading →
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Tagged abstract systems, Art, ARTIsm3160, censorship, Cinema Paradiso, Contemporary Art, cybersphere, Digital, Digital Art, digital technology, La Biennale di Venezia, Live Art, Net Neutrality, peer production knowledge, performance, Photography, place attachment and place identity in the hybrid city., Psychosocial perspectives into the impact of locative and pervasive media use, science fiction, The Anomaly, The Biennial Project, The Great Firewall of China, the Internet, the Internet of things, The Matrix, The Terminator, the Venice Biennale, Tom Estes, Urban data visualization
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Venice Residency
The Live Art Performance by Tom Estes at ‘’Parallax: Other Realms’ will inaugurate The Biennial Project’s expanded program of large screen digital projections at La Biennale di Venezia. The performance will coincide with Estes’ time at the newly founded Biennial … Continue reading →
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Tagged abstract systems, Art, artificial intelligence, Artist, Artpace, Atari video games, Bath Spa University, communal camera, Hammer Museum, La Biennale di Venezia, Live Art, mediated experiences, Nick Bostrom, Okwui Enwezor, Oxford Professor of Philosophy, Paolo Baratta, Parallax, Parliament of Forms, The Biennial Project, The Sims, the Venice Biennale, the Walker Art Center, Tom Estes, UCLA, Venice, Venice Residency, virtual reality
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Guide to the National Pavilions: Venice Biennale 2013
‘Overlords’ by Tom Estes- an artwork that functions as an art proposal for a partially realized installation, at The Biennial Project VIP reception in 2011 The Venice Biennale (Biennale di Venezia) is a major contemporary art exhibition that attempts to chronicle the development of contemporary art around … Continue reading →
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Tagged (APEAL), activist strategies, Ai Weiwei, Alise Tīfentāle, American Folk Art Museum, Anna O’Sullivan, Anton Rodin, Argentina, Arsenale, Artist Akram Zaatari, Artist Albert Yonathan, Artist Ali Kazma, Artist Anri Sala, Artist Berlinde De Bruyckere, Artist Bill Culbert, Artist Dénes Farkas, Artist Eko Nugroho, Artist Entang Wiharso, Artist Gilad Ratman, Artist Jesper Just, Artist Joana Vasconcelos, Artist Kaspars Podnieks, Artist Katrin Sigurdardottir, Artist Koki Tanaka, Artist Lara Almarcegui, Artist Mark Manders, Artist Mathias Poledna, Artist Nicola Costantino, Artist Petrit Halilaj, Artist Raimundas Malašauskas, Artist Richard Mosse, Artist Setiawan, Artist Shary Boyle, Artist Simryn Gill, Artist Sri Astari, Artist Tavares Strachan, Artist Titarubi, Artist Vadim Zakharov, Artist Valentin Carron, Artist: Jeremy Deller, Artist: Wifredo Díaz Valdéz, Artists Aissa Deebi, Artists Bashir Makhoul, Artists: Bernd Behr, arts electronic, Association for the Promotion and Exhibition of the Arts in Lebanon, Australia, Austria, Aza Shade, Bahamas, Bahrain, Belgium, Benito Mussolini, Biennale di Venezia, Bizzare Artist Happenings, Bronx Museum of the Arts, Bruce Ferguson, Canada, Carey Lovelace, Central Asia, Centre for Contemporary Arts, Chile, Chile Artist Alfredo Jaar, Commissioner CNCA, Commissioner Nalini Bethel Curators: Jean Crutchfield, Commissioner Vanessa Ohlraun, Courtenay Finn, curator, Curator Achille Bonito Oliva, Curator Adam Budak, Curator Anne Barlow, Curator Carla Bianpoen, Curator Catherine de Zegher, Curator Christine Macel, Curator Giovanni Carmine, Curator Justin Paton, Curator Kim Seung-duk, Curator Lorenzo Benedetti, Curator Madeleine Grynsztejn, Curator Mika Kuraya, Curator Octavio Zaya, Curator Osvaldo González Real, Curator Rifky Effendy, Curator Sam Bardaouil, Curator Till Fellrath, Curator: Emre Baykal, Curator: Esther Lu, Curator: Kathrin Rhomberg Commissioner Erzen Shkololli, Curator: Udo Kittelmann, Curators: Ayatgali Tuleubek, Dayanita Singh, Denmark, Direcção-Geral das Artes Ministério da Cultura, Dorothée Kirch Curators: Mary Ceruti, eight additional countries represented, Elisa Victoria Aquino Laterza, Erlan Tuyakov, Estonia, F.T. Marinetti, Fascism, France, Futurism, Futurist artists, Grand Canal in Venice, Heather Galbraith, Holly Block, Hsu Chia-wei, Iceland, Ikuru Kuwajima, Ilaria Bonacossa, imagery, Indonesia, Ireland, Israel, Istanbul Foundation for Culture and Arts, Italian-American artist, Ivory Coast, Japan, Jasper Sharp, Jenny Harper, Kamilla Kurmanbekova, Katerina Seda, Korea, Kosovo, Krišs Salmanis, Kuwait, Latvia, Laura Beiles, Lebanon, Liam Gillick, Liceo Artistico Statale di Venezia, Lithuania, Live Art Guerrilla Action, Marino Auriti, Massimiliano Gioni, Mirah M. Sjarif, Nam June Paik, National Council of Culture and the Arts, National Mall in Washington, nationhood, New Zealand, Nicola Costantino, Nigeria, Overlords by Tom Estes, Palazzo Ca' Giustinian Recanati, Palazzo Malipiero, Palestine, Palestinian Art Court - al Hoash, Paolo Baratta, Paraguay, Pavilion at Giardini, Portugal, Project leader Susanne M. Winterling, proliferation of machines, propaganda, Rawan Sharaf, Robert Hobbs, Romuald Karmakar, Russia, Santo Mofokeng, Saodat Ismailova, self-taught artist, Sergey Chutkov, Simon Mordant, Soedarmadji Jean Henry Damais, Spain, Susanne Gaensheimer, Swampy: Venice is Flooded, Switzerland, Taipei Fine Arts Museum, Taiwan, Tate Shots, Technical curator Tiziano Inguanotto, Tese Cinquecentesche, The 54th Venice Biennale, The Biennial Project, The Encyclopedic Palace, the Maldives, The Netherlands, Tiago Bom, Tom Estes, transforming Italian society and identity, Turkey, United Kingdom, Uruguay, Venice Biennale 2013, Vyacheslav Akhunov, Zane Onckule, Zane Čulkstēna
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