Tag Archives: digital technology

Should We Be Worried? Artist Tom Estes On Net Neutrality

Posted on December 31, 2017 by Art Selectronic

Chosen by high profile judges from over 900 entries from around the globe, The AVBIV Selected Artists for 2017 at La Biennale di Venezia include Tom Estes’ Live Art Performance: The Anomaly Tom Estes‘ Live Art performance, The Anomaly, … Continue reading →

Posted in Uncategorized | Tagged abstract systems, Art, ARTIsm3160, censorship, Cinema Paradiso, Contemporary Art, cybersphere, Digital, Digital Art, digital technology, La Biennale di Venezia, Live Art, Net Neutrality, peer production knowledge, performance, Photography, place attachment and place identity in the hybrid city., Psychosocial perspectives into the impact of locative and pervasive media use, science fiction, The Anomaly, The Biennial Project, The Great Firewall of China, the Internet, the Internet of things, The Matrix, The Terminator, the Venice Biennale, Tom Estes, Urban data visualization | Leave a comment

Stranger Than Fiction: Dreaming Your Way Out Of Disaster

Posted on November 11, 2015 by Art Selectronic

Annunciation by artist Tom Estes. The title of the work ‘Annunciation’ is a Biblical term which means the announcing of ‘the incarnation’ or a materialization of the unrealized in a concrete form. The work therefore relates to multiple worlds; possible, fictional … Continue reading →

Posted in Uncategorized | Tagged 2001: Space Odyssey, abstract systems, Annunciation, Bulb Contemporary, Bulb Media, church, Cognitive Science, Cold War, Contemporary Art, digital technology, Fahrenheit 451, God, Home Mills, Huddersfield, Irish Catholic, Jesus, Neo-liberalism, parochial school, Photography, Ray Bradbury, Religion, science fiction, SF, Speculative Fiction, Tom Estes, transformative shift of the urban condition, utopia, West Yorkshire, William Blake | Leave a comment

Coventry Mysteries Festival 2013‏

Posted on May 20, 2013 by Art Selectronic

Blitz, an installation by Tom Estes will be shown at Coventry Mysteries Festival 2013, an updated medieval spectacle that retells the Christian story from Creation to Doomsday. Coventry was an important centre of the cloth trade and throughout the Middle Ages was one … Continue reading →

Posted in Uncategorized | Tagged Art projects at Coventry Mysteries 2013, Ashley Brown, Blitz, Coventry Mysteries Festival 2013, Digital, Digital Art, digital media, digital networks, digital platforms, digital recording, digital technology, fictional space, Installation, Ludic Rooms, Mnemoscape, the German Luftwaffe, Tom Estes | Leave a comment

Art Projects at The London Art Fair 2013

Posted on January 27, 2013 by Art Selectronic

It is not easy for small not-for-profit spaces and non-commercial groupings to show in an art fair. Launched in 2005, Art Projects has established itself as one of the most exciting sections of London Art Fair attracting widespread critical acclaim … Continue reading →

Posted in Uncategorized | Tagged 108 Fine Art, A Brooks Art, Abbey Walk Gallery, abstract systems, Adam Gallery, Advanced Graphics London, Agnew's Gallery, Alan Wheatley Art, Albemarle Gallery, ALISN, Angus-Hughes Gallery, Anthony Hepworth Fine Art Dealers, Art, Art Projects, ArtBots: The Robot Talent Show, Artist Led Initiatives Support Network, artist led organisations, audience, Axisweb, Beardsmore Gallery, Beaux Arts Bath, Beaux Arts London, Beers.Lambert Contemporary, Bella Easton, Bernard Chauchet Contemporary Art, Bicha Gallery, bo.lee gallery, Browse & Darby, Byard Art, Caroline Wiseman Ltd, CCA Galleries, Ceri Hand Gallery, CHARLIE SMITH london, chemical visionaries, Citizen science, code infinitizers, COLE, communal camera, conditional, Connaught Brown, Contemporary Art, Crane Kalman Brighton, Crane Kalman Gallery Ltd, critical trends, curated group displays, current social trends, cyberspace, Cyril Gerber Fine Art & Compass Gallery, Danielle Arnaud, Digital Art, digital recording, digital technology, digitally recorded, Dominic Guerrini, dorkbot: people doing strange things with electricity, Duncan R. Miller Fine Arts, easy assumptions, Edel Assanti Gallery, Edgar Modern, emerging talent, England & Co, Enitharmon Editions, Envie d'Art Galleries, Environmental sensing, Ewan Mundy Fine Art, FEEDBACK, Flowers Gallery, Four Square Fine Arts, french art studio, Galerie BRAUBACHfive, Galerie Olivier Waltman, galleries, Gallery Vela, GBS Fine Art Ltd, global communication, Hanmi Gallery, Hannah Barry Gallery, Harnessing The Hive, Hilger BROTKunsthalle, homogenised nature of global culture, Hoxton Art Gallery, Iavor Lubomirov, Installation, institutional freedom, interaction, INTERACTIVE EXHIBITION, inundated with information, Jacob's Island, La Scatola Gallery, large-scale installations, Limoncello, Live Art, London Art Fair, Lubomirov-Easton, machines, mediated, mega-nano-nauts, MOCA London, monoculture, non-commercial galleries, non-commercial groupings, noshowspace, not-for-profit spaces, Orion Contemporary, OSCILLATIONS, OSCILLATORS, passive witness, Patrick Davies Contemporary Art, PEER, peer production knowledge, performance, Poppy Sebire, privileged, protocol droid, Psychosocial perspectives into the impact of locative and pervasive media use, queer identity, radical approach, received opinion, reduction of life to a single image, role reversal, scientific, shaping condition, sleep cycle sleuths, social networking sites, social transformation, software, solo shows, sovereign freedom, SPAM, structuring paradox, Sublet, surveillance, The Catlin Guide 2013, the Internet of things, The Multiple Store, THE RESIDENCE GALLERY, The Sunday Painter, The Wapping Project Bankside, Tintype, Tom Estes, Troika Editions, unconditional, viral infiltration, visual, visual technology, voluntary relationship, Whitechapel Gallery, Works|Projects, world and culture, ]performance s p a c e [ | 1 Comment

Tom Estes- Crash Test Dummy

Posted on December 20, 2012 by Art Selectronic

Tom Estes Crash Test Dummy 2012 Part of Health & Safety Violation: A collaboration between Ben Woodeson and Tom Estes Health & Safety Violation is a project initiated at Lubomirov-Easton which brought together performance artist Tom Estes and sculptor Ben Woodeson … Continue reading →

Posted in Uncategorized | Tagged 108 Fine Art, A Brooks Art, Abbey Walk Gallery, abstract systems, action, Action Art, Adam Gallery, Advanced Graphics London, Agnew's Gallery, Alan Wheatley Art, Albemarle Gallery, ALISN, Angus-Hughes Gallery, Anthony Hepworth Fine Art Dealers, Art, Art Projects, ArtBots: The Robot Talent Show, Artist Led Initiatives Support Network, artist led organisations, audience, Axisweb, Beardsmore Gallery, Beaux Arts Bath, Beaux Arts London, Beers.Lambert Contemporary, Bella Easton, Ben Woodeson, Ben Woodeson and Tom Estes, Bernard Chauchet Contemporary Art, Bicha Gallery, bo.lee gallery, Browse & Darby, Byard Art, Caroline Wiseman Ltd, CCA Galleries, Ceri Hand Gallery, CHARLIE SMITH london, chemical visionaries, Citizen science, code infinitizers, COLE, collaboration, Columbia University, communal camera, Computer Music Center, conditional, Connaught Brown, Contemporary Art, Crane Kalman Brighton, Crane Kalman Gallery Ltd, Crash Test Dummy, critical trends, curated group displays, current social trends, cyberspace, Cyril Gerber Fine Art & Compass Gallery, Danielle Arnaud, Digital, Digital Art, digital recording, digital technology, digitally recorded, Director of Research, Dominic Guerrini, dorkbot: people doing strange things with electricity, Duncan R. Miller Fine Arts, easy assumptions, Edel Assanti Gallery, Edgar Modern, Electron wizards, emerging talent, England & Co, Enitharmon Editions, Envie d'Art Galleries, Environmental sensing, ephemeral performance art, Ewan Mundy Fine Art, experimental collaboration, FEEDBACK, Flowers Gallery, Four Square Fine Arts, fragile sculpture, french art studio, Galerie BRAUBACHfive, Galerie Olivier Waltman, galleries, Gallery Vela, GBS Fine Art Ltd, global communication, H&SV, Hanmi Gallery, Hannah Barry Gallery, Harnessing The Hive, Health & Safety Violation, Hilger BROTKunsthalle, homogenised nature of global culture, Hoxton Art Gallery, Iavor Lubomirov, Installation, institutional freedom, interaction, INTERACTIVE EXHIBITION, inundated with information, Jacob's Island, La Scatola Gallery, large-scale installations, Limoncello, Live Art, Live Art performance, London Art Fair, Lubomirov-Easton, machines, mediated, mega-nano-nauts, MOCA London, monoculture, non-commercial galleries, non-commercial groupings, noshowspace, not-for-profit spaces, on-line, Orion Contemporary, OSCILLATIONS, OSCILLATORS, participatory and immersive, passive witness, Patrick Davies Contemporary Art, PEER, peer production knowledge, performance, place attachment and place identity in the hybrid city., Placemaking, Poppy Sebire, privileged, protocol droid, Psychosocial perspectives into the impact of locative and pervasive media use, queer identity, radical approach, received opinion, reduction of life to a single image, role reversal, scientific, shaping condition, sleep cycle sleuths, social networking sites, social transformation, software, solo shows, sovereign freedom, SPAM, structuring paradox, Sublet, surveillance, The Catlin Guide 2013, the Internet of things, The Multiple Store, THE RESIDENCE GALLERY, The Sunday Painter, The Wapping Project Bankside, Tintype, Tom Estes, Troika Editions, unconditional, viral infiltration, visual, visual technology, voluntary relationship, Whitechapel Gallery, Works|Projects, world and culture, ]performance s p a c e [ | Leave a comment