Tag Archives: peer production knowledge

Should We Be Worried? Artist Tom Estes On Net Neutrality

Posted on December 31, 2017 by Art Selectronic

Chosen by high profile judges from over 900 entries from around the globe, The AVBIV Selected Artists for 2017 at La Biennale di Venezia include Tom Estes’ Live Art Performance: The Anomaly Tom Estes‘ Live Art performance, The Anomaly, … Continue reading →

Posted in Uncategorized | Tagged abstract systems, Art, ARTIsm3160, censorship, Cinema Paradiso, Contemporary Art, cybersphere, Digital, Digital Art, digital technology, La Biennale di Venezia, Live Art, Net Neutrality, peer production knowledge, performance, Photography, place attachment and place identity in the hybrid city., Psychosocial perspectives into the impact of locative and pervasive media use, science fiction, The Anomaly, The Biennial Project, The Great Firewall of China, the Internet, the Internet of things, The Matrix, The Terminator, the Venice Biennale, Tom Estes, Urban data visualization | Leave a comment

Turning Human Beings Into Batteries

Posted on March 7, 2013 by Art Selectronic

Scientists at Princeton -who must have never seen The Matrix- have developed a system to convert basic human organ function into electric energy. The Matrix is a a science fiction action film written and directed by Larry and Andy Wachowski … Continue reading →

Posted in Uncategorized | Tagged abstract systems, action film, Art, ARtbots, biocompatible, biocompatible polymer, body heat, charging a cellphone, chemical visionaries, Citizen science, code infinitizers, Contemporary Art, converting body movements into electricity, Digital, Digital Art, Director of Research, Dorkbot, dorkbot: people doing strange things with electricity, dystopian future, electric energy, electrical activity, energy source, Environmental sensing, FEEDBACK, flexible power generator, human organ, implant, magnesium oxide, medical sensor, mega-nano-nauts, Michael C. McAlpine, new media, OSCILLATIONS, PDMS, peer production knowledge, pendular kineticists, Princeton University, printing piezoelectric crystals, prototypes, science fiction, SCIENCE GALLERY, Scientist, Scientists at Princeton, software, technology, the Internet of things, the journal Nano Letters, tiny wires, Turning Human Beings Into Batteries, Urban data visualization | Leave a comment

The Robotville Festival

Posted on January 31, 2013 by Art Selectronic

Imagine a world where robots are part of everyday life. Do you wish you had domestic help from a robot? Would you play with a pet robot? Could a robot talk to you and share your feelings? Fancy meeting your … Continue reading →

Posted in Uncategorized | Tagged ArtBots: The Robot Talent Show, artificial intelligence, Citizen science, Cognitive Systems, cultural significance of robots, design, domestic help, dorkbot: people doing strange things with electricity, Electron wizards, Environmental sensing, EUNIC London, European Commission, European robot design, European Union National Institutes for Culture, exploring robots, FEEDBACK, humanoid robots, innovation, INTERACTIVE EXHIBITION, Karel Čapek, mega-nano-nauts, peer production knowledge, pet robot, Polish Cultural Institute, robot self, Robotics Programme, robots, RobotvilleEU, Science Museum, swarming robots, swimming robots, Urban data visualization | Leave a comment

Codebreaker: Alan Turning @The Science Museum

Posted on January 31, 2013 by Art Selectronic

Alan Turing, is a man regarded as one of the most influential mathematicians of the 20th Century and widely considered to be the father of computer science and artificial intelligence. The Science Museum in London is hosting an exhibition exploring … Continue reading →

Posted in Uncategorized | Tagged Alan Turing, algorithm, Anal assassin, Anal Buccaneer, artificial intelligence, Ass Bandit, Back door bandit, Batty boy, Bender, Bent, bentshot, Bletchley Park, bombe, Bugger, buggery, Bum boy, chemical visionaries, Citizen science, code infinitizers, Codebreaker – Alan Turing’s life and legacy, codebreaking, computation, computer science, crack codes, dorkbot: people doing strange things with electricity, Electron wizards, Enigma, Enigma machines, Environmental sensing, exhibition, FEEDBACK, female hormones, Gay, GCHQ, German military, gross indecency, homoerotic, homophile, Homosexual, INTERACTIVE EXHIBITION, lesbian, London, lone genius, mathematician, new media, peer production knowledge, Pilot ACE computer, pioneers of computer technology, Queer, queer identity, Sapphic, Science Museum, sodomite, the Turing machine, universal programmable computer, Urban data visualization, wartime codebreaker, World War II | Leave a comment

Art Projects at The London Art Fair 2013

Posted on January 27, 2013 by Art Selectronic

It is not easy for small not-for-profit spaces and non-commercial groupings to show in an art fair. Launched in 2005, Art Projects has established itself as one of the most exciting sections of London Art Fair attracting widespread critical acclaim … Continue reading →

Posted in Uncategorized | Tagged 108 Fine Art, A Brooks Art, Abbey Walk Gallery, abstract systems, Adam Gallery, Advanced Graphics London, Agnew's Gallery, Alan Wheatley Art, Albemarle Gallery, ALISN, Angus-Hughes Gallery, Anthony Hepworth Fine Art Dealers, Art, Art Projects, ArtBots: The Robot Talent Show, Artist Led Initiatives Support Network, artist led organisations, audience, Axisweb, Beardsmore Gallery, Beaux Arts Bath, Beaux Arts London, Beers.Lambert Contemporary, Bella Easton, Bernard Chauchet Contemporary Art, Bicha Gallery, bo.lee gallery, Browse & Darby, Byard Art, Caroline Wiseman Ltd, CCA Galleries, Ceri Hand Gallery, CHARLIE SMITH london, chemical visionaries, Citizen science, code infinitizers, COLE, communal camera, conditional, Connaught Brown, Contemporary Art, Crane Kalman Brighton, Crane Kalman Gallery Ltd, critical trends, curated group displays, current social trends, cyberspace, Cyril Gerber Fine Art & Compass Gallery, Danielle Arnaud, Digital Art, digital recording, digital technology, digitally recorded, Dominic Guerrini, dorkbot: people doing strange things with electricity, Duncan R. Miller Fine Arts, easy assumptions, Edel Assanti Gallery, Edgar Modern, emerging talent, England & Co, Enitharmon Editions, Envie d'Art Galleries, Environmental sensing, Ewan Mundy Fine Art, FEEDBACK, Flowers Gallery, Four Square Fine Arts, french art studio, Galerie BRAUBACHfive, Galerie Olivier Waltman, galleries, Gallery Vela, GBS Fine Art Ltd, global communication, Hanmi Gallery, Hannah Barry Gallery, Harnessing The Hive, Hilger BROTKunsthalle, homogenised nature of global culture, Hoxton Art Gallery, Iavor Lubomirov, Installation, institutional freedom, interaction, INTERACTIVE EXHIBITION, inundated with information, Jacob's Island, La Scatola Gallery, large-scale installations, Limoncello, Live Art, London Art Fair, Lubomirov-Easton, machines, mediated, mega-nano-nauts, MOCA London, monoculture, non-commercial galleries, non-commercial groupings, noshowspace, not-for-profit spaces, Orion Contemporary, OSCILLATIONS, OSCILLATORS, passive witness, Patrick Davies Contemporary Art, PEER, peer production knowledge, performance, Poppy Sebire, privileged, protocol droid, Psychosocial perspectives into the impact of locative and pervasive media use, queer identity, radical approach, received opinion, reduction of life to a single image, role reversal, scientific, shaping condition, sleep cycle sleuths, social networking sites, social transformation, software, solo shows, sovereign freedom, SPAM, structuring paradox, Sublet, surveillance, The Catlin Guide 2013, the Internet of things, The Multiple Store, THE RESIDENCE GALLERY, The Sunday Painter, The Wapping Project Bankside, Tintype, Tom Estes, Troika Editions, unconditional, viral infiltration, visual, visual technology, voluntary relationship, Whitechapel Gallery, Works|Projects, world and culture, ]performance s p a c e [ | 1 Comment

Tom Estes- Crash Test Dummy

Posted on December 20, 2012 by Art Selectronic

Tom Estes Crash Test Dummy 2012 Part of Health & Safety Violation: A collaboration between Ben Woodeson and Tom Estes Health & Safety Violation is a project initiated at Lubomirov-Easton which brought together performance artist Tom Estes and sculptor Ben Woodeson … Continue reading →

Posted in Uncategorized | Tagged 108 Fine Art, A Brooks Art, Abbey Walk Gallery, abstract systems, action, Action Art, Adam Gallery, Advanced Graphics London, Agnew's Gallery, Alan Wheatley Art, Albemarle Gallery, ALISN, Angus-Hughes Gallery, Anthony Hepworth Fine Art Dealers, Art, Art Projects, ArtBots: The Robot Talent Show, Artist Led Initiatives Support Network, artist led organisations, audience, Axisweb, Beardsmore Gallery, Beaux Arts Bath, Beaux Arts London, Beers.Lambert Contemporary, Bella Easton, Ben Woodeson, Ben Woodeson and Tom Estes, Bernard Chauchet Contemporary Art, Bicha Gallery, bo.lee gallery, Browse & Darby, Byard Art, Caroline Wiseman Ltd, CCA Galleries, Ceri Hand Gallery, CHARLIE SMITH london, chemical visionaries, Citizen science, code infinitizers, COLE, collaboration, Columbia University, communal camera, Computer Music Center, conditional, Connaught Brown, Contemporary Art, Crane Kalman Brighton, Crane Kalman Gallery Ltd, Crash Test Dummy, critical trends, curated group displays, current social trends, cyberspace, Cyril Gerber Fine Art & Compass Gallery, Danielle Arnaud, Digital, Digital Art, digital recording, digital technology, digitally recorded, Director of Research, Dominic Guerrini, dorkbot: people doing strange things with electricity, Duncan R. Miller Fine Arts, easy assumptions, Edel Assanti Gallery, Edgar Modern, Electron wizards, emerging talent, England & Co, Enitharmon Editions, Envie d'Art Galleries, Environmental sensing, ephemeral performance art, Ewan Mundy Fine Art, experimental collaboration, FEEDBACK, Flowers Gallery, Four Square Fine Arts, fragile sculpture, french art studio, Galerie BRAUBACHfive, Galerie Olivier Waltman, galleries, Gallery Vela, GBS Fine Art Ltd, global communication, H&SV, Hanmi Gallery, Hannah Barry Gallery, Harnessing The Hive, Health & Safety Violation, Hilger BROTKunsthalle, homogenised nature of global culture, Hoxton Art Gallery, Iavor Lubomirov, Installation, institutional freedom, interaction, INTERACTIVE EXHIBITION, inundated with information, Jacob's Island, La Scatola Gallery, large-scale installations, Limoncello, Live Art, Live Art performance, London Art Fair, Lubomirov-Easton, machines, mediated, mega-nano-nauts, MOCA London, monoculture, non-commercial galleries, non-commercial groupings, noshowspace, not-for-profit spaces, on-line, Orion Contemporary, OSCILLATIONS, OSCILLATORS, participatory and immersive, passive witness, Patrick Davies Contemporary Art, PEER, peer production knowledge, performance, place attachment and place identity in the hybrid city., Placemaking, Poppy Sebire, privileged, protocol droid, Psychosocial perspectives into the impact of locative and pervasive media use, queer identity, radical approach, received opinion, reduction of life to a single image, role reversal, scientific, shaping condition, sleep cycle sleuths, social networking sites, social transformation, software, solo shows, sovereign freedom, SPAM, structuring paradox, Sublet, surveillance, The Catlin Guide 2013, the Internet of things, The Multiple Store, THE RESIDENCE GALLERY, The Sunday Painter, The Wapping Project Bankside, Tintype, Tom Estes, Troika Editions, unconditional, viral infiltration, visual, visual technology, voluntary relationship, Whitechapel Gallery, Works|Projects, world and culture, ]performance s p a c e [ | Leave a comment