Tag Archives: Photography

Should We Be Worried? Artist Tom Estes On Net Neutrality

Posted on December 31, 2017 by Art Selectronic

Chosen by high profile judges from over 900 entries from around the globe, The AVBIV Selected Artists for 2017 at La Biennale di Venezia include Tom Estes’ Live Art Performance: The Anomaly Tom Estes‘ Live Art performance, The Anomaly, … Continue reading →

Posted in Uncategorized | Tagged abstract systems, Art, ARTIsm3160, censorship, Cinema Paradiso, Contemporary Art, cybersphere, Digital, Digital Art, digital technology, La Biennale di Venezia, Live Art, Net Neutrality, peer production knowledge, performance, Photography, place attachment and place identity in the hybrid city., Psychosocial perspectives into the impact of locative and pervasive media use, science fiction, The Anomaly, The Biennial Project, The Great Firewall of China, the Internet, the Internet of things, The Matrix, The Terminator, the Venice Biennale, Tom Estes, Urban data visualization | Leave a comment

Future Tech: Expert Systems

Posted on May 26, 2016 by Art Selectronic

Artist Tom Estes for Art Selectronic at The Internet Yami-Ichi (Blackmarket) at Tate Modern. Estes’ work, like Science Fiction, is a sort of thought experiment and serves as a useful vehicle for “safely” discussing controversial topical issues, providing thoughtful social commentary on potential … Continue reading →

Posted in Uncategorized | Tagged 2 Loops Print, abstract systems, Anna Ridler, Arebyte, Art, Art Selectronic, ArtBots: The Robot Talent Show, Banrei, Blackmarket, Brian van Lijf, Chloe Spicer, Christophe Cachelin, Cloud8Art, code infinitizers, Contemporary Art, Digital, Digital Art, dorkbot: people doing strange things with electricity, Emiddio, Erik Zepka, Fabio Lattanzi Antinori, FZS + UMZ, GlitcHaus, INTERACTIVE EXHIBITION, Internet Yami Ichi, Irini Pigaditi, Jennifer Crouch, Jordi Canals, Julien Bader, KAAP,, Libby Heaney, London, machines, Marie Namur, Marta Velasco Velasco, Martin Lau, Minutiae, Mr.Nowhere, new media, Nukeme, Nye Thompson, OffPrint, One Life Remains, Pascale Loyens, performance, Photography, Psychosocial perspectives into the impact of locative and pervasive media use, Rob Walker, science fiction, Shinji Toya, Sigergallery, software, Tadeo Sendon, Tate, Tate Modern, the Internet of things, Tom Estes, Urban data visualization, Yinan Song | Leave a comment

Stranger Than Fiction: Dreaming Your Way Out Of Disaster

Posted on November 11, 2015 by Art Selectronic

Annunciation by artist Tom Estes. The title of the work ‘Annunciation’ is a Biblical term which means the announcing of ‘the incarnation’ or a materialization of the unrealized in a concrete form. The work therefore relates to multiple worlds; possible, fictional … Continue reading →

Posted in Uncategorized | Tagged 2001: Space Odyssey, abstract systems, Annunciation, Bulb Contemporary, Bulb Media, church, Cognitive Science, Cold War, Contemporary Art, digital technology, Fahrenheit 451, God, Home Mills, Huddersfield, Irish Catholic, Jesus, Neo-liberalism, parochial school, Photography, Ray Bradbury, Religion, science fiction, SF, Speculative Fiction, Tom Estes, transformative shift of the urban condition, utopia, West Yorkshire, William Blake | Leave a comment

Free Enterprise: The Art of Citizen Space Exploration

Posted on February 24, 2013 by Art Selectronic

Free Enterprise: The Art of Citizen Space Exploration Fast forward to 2013. ARTSblock is to present the first contemporary art exhibition in the U.S. to present an international array of artists and organizations who are exploring the potential democratization of … Continue reading →

Posted in Uncategorized | Tagged abstract systems, aerospace engineer, Agnes Meyer-Brandis, Agnes Meyer-Brandis (Berlin), and XCOR Aerospace, Art, Arthur Woods (Zurich, artistic production, ARTSblock, Bradley Pitts, Bradley Pitts (New York), CA and Ljubljana, CA), Carrie Paterson (Los Angeles), Center for Land Use Interpretation (Culver City, Christian Waldvogel (Zurich, civilian space travel, Connie Samaras (Los Angeles), Contemporary Art, cooperatives, Cosmokinetial Kabinet Noordung – Postgravityart (Ljubljana, Cultural Center of European Space Technologies / KSEVT (Vitanje, democratization of space exploration, Digital Art, dolphin-shaped satellite, dorkbot: people doing strange things with electricity, drawing, eteam (New York), European Space Agency Topical Team Arts and Science (international participants), extraterrestrial communication, Final Frontier Design, Final Frontier Design (New York), Forrest Myers (New York), Francis Godwin, Frank Pietronigro, Frank Pietronigro (San Francisco), Free Enterprise, Free Enterprise: The Art of Citizen Space Exploration, Google Earth satellite, imulate microgravity, Inc. (Mojave, initiatives, international artists, International Space Station, JAXA, Kitsou Dubois (Paris), Lowry Burgess (Pittsburgh, mine minerals, MIR – Microgravity Interdisciplinary Research (international participants), Moon Goose Colony, NASA, national identity, Nejc Trošt (Slovenia/Houston, Noordung 1995::2045, PA), painting, parabolic flights, performance, Photography, private enterprise model, Projekt Atol Flight Operations (Santa Barbara, quasi-scientific experiment, Richard Clar (Paris/Los Angeles), Riverside, RKA, sculpture, Skeith De Wine (Santa Ana, Slovenia), Slovenian Space Agency, spacesuit technology, SpaceX, suborbital spacecraft, Switzerland, The Arts Catalyst (London, the Center for Land Use, The Man in the Moone, Trevor Paglen (New York), Trieste Constructivist Cabinet (Italy/Slovenia), TX), U.K.), University of California, video, XCOR Aerospace Inc | Leave a comment