Tag Archives: Urban data visualization

Should We Be Worried? Artist Tom Estes On Net Neutrality

Posted on December 31, 2017 by Art Selectronic

Chosen by high profile judges from over 900 entries from around the globe, The AVBIV Selected Artists for 2017 at La Biennale di Venezia include Tom Estes’ Live Art Performance: The Anomaly Tom Estes‘ Live Art performance, The Anomaly, … Continue reading →

Posted in Uncategorized | Tagged abstract systems, Art, ARTIsm3160, censorship, Cinema Paradiso, Contemporary Art, cybersphere, Digital, Digital Art, digital technology, La Biennale di Venezia, Live Art, Net Neutrality, peer production knowledge, performance, Photography, place attachment and place identity in the hybrid city., Psychosocial perspectives into the impact of locative and pervasive media use, science fiction, The Anomaly, The Biennial Project, The Great Firewall of China, the Internet, the Internet of things, The Matrix, The Terminator, the Venice Biennale, Tom Estes, Urban data visualization | Leave a comment

Future Tech: Expert Systems

Posted on May 26, 2016 by Art Selectronic

Artist Tom Estes for Art Selectronic at The Internet Yami-Ichi (Blackmarket) at Tate Modern. Estes’ work, like Science Fiction, is a sort of thought experiment and serves as a useful vehicle for “safely” discussing controversial topical issues, providing thoughtful social commentary on potential … Continue reading →

Posted in Uncategorized | Tagged 2 Loops Print, abstract systems, Anna Ridler, Arebyte, Art, Art Selectronic, ArtBots: The Robot Talent Show, Banrei, Blackmarket, Brian van Lijf, Chloe Spicer, Christophe Cachelin, Cloud8Art, code infinitizers, Contemporary Art, Digital, Digital Art, dorkbot: people doing strange things with electricity, Emiddio, Erik Zepka, Fabio Lattanzi Antinori, FZS + UMZ, GlitcHaus, INTERACTIVE EXHIBITION, Internet Yami Ichi, Irini Pigaditi, Jennifer Crouch, Jordi Canals, Julien Bader, KAAP,, Libby Heaney, London, machines, Marie Namur, Marta Velasco Velasco, Martin Lau, Minutiae, Mr.Nowhere, new media, Nukeme, Nye Thompson, OffPrint, One Life Remains, Pascale Loyens, performance, Photography, Psychosocial perspectives into the impact of locative and pervasive media use, Rob Walker, science fiction, Shinji Toya, Sigergallery, software, Tadeo Sendon, Tate, Tate Modern, the Internet of things, Tom Estes, Urban data visualization, Yinan Song | Leave a comment

Turning Human Beings Into Batteries

Posted on March 7, 2013 by Art Selectronic

Scientists at Princeton -who must have never seen The Matrix- have developed a system to convert basic human organ function into electric energy. The Matrix is a a science fiction action film written and directed by Larry and Andy Wachowski … Continue reading →

Posted in Uncategorized | Tagged abstract systems, action film, Art, ARtbots, biocompatible, biocompatible polymer, body heat, charging a cellphone, chemical visionaries, Citizen science, code infinitizers, Contemporary Art, converting body movements into electricity, Digital, Digital Art, Director of Research, Dorkbot, dorkbot: people doing strange things with electricity, dystopian future, electric energy, electrical activity, energy source, Environmental sensing, FEEDBACK, flexible power generator, human organ, implant, magnesium oxide, medical sensor, mega-nano-nauts, Michael C. McAlpine, new media, OSCILLATIONS, PDMS, peer production knowledge, pendular kineticists, Princeton University, printing piezoelectric crystals, prototypes, science fiction, SCIENCE GALLERY, Scientist, Scientists at Princeton, software, technology, the Internet of things, the journal Nano Letters, tiny wires, Turning Human Beings Into Batteries, Urban data visualization | Leave a comment

The Robotville Festival

Posted on January 31, 2013 by Art Selectronic

Imagine a world where robots are part of everyday life. Do you wish you had domestic help from a robot? Would you play with a pet robot? Could a robot talk to you and share your feelings? Fancy meeting your … Continue reading →

Posted in Uncategorized | Tagged ArtBots: The Robot Talent Show, artificial intelligence, Citizen science, Cognitive Systems, cultural significance of robots, design, domestic help, dorkbot: people doing strange things with electricity, Electron wizards, Environmental sensing, EUNIC London, European Commission, European robot design, European Union National Institutes for Culture, exploring robots, FEEDBACK, humanoid robots, innovation, INTERACTIVE EXHIBITION, Karel Čapek, mega-nano-nauts, peer production knowledge, pet robot, Polish Cultural Institute, robot self, Robotics Programme, robots, RobotvilleEU, Science Museum, swarming robots, swimming robots, Urban data visualization | Leave a comment

Codebreaker: Alan Turning @The Science Museum

Posted on January 31, 2013 by Art Selectronic

Alan Turing, is a man regarded as one of the most influential mathematicians of the 20th Century and widely considered to be the father of computer science and artificial intelligence. The Science Museum in London is hosting an exhibition exploring … Continue reading →

Posted in Uncategorized | Tagged Alan Turing, algorithm, Anal assassin, Anal Buccaneer, artificial intelligence, Ass Bandit, Back door bandit, Batty boy, Bender, Bent, bentshot, Bletchley Park, bombe, Bugger, buggery, Bum boy, chemical visionaries, Citizen science, code infinitizers, Codebreaker – Alan Turing’s life and legacy, codebreaking, computation, computer science, crack codes, dorkbot: people doing strange things with electricity, Electron wizards, Enigma, Enigma machines, Environmental sensing, exhibition, FEEDBACK, female hormones, Gay, GCHQ, German military, gross indecency, homoerotic, homophile, Homosexual, INTERACTIVE EXHIBITION, lesbian, London, lone genius, mathematician, new media, peer production knowledge, Pilot ACE computer, pioneers of computer technology, Queer, queer identity, Sapphic, Science Museum, sodomite, the Turing machine, universal programmable computer, Urban data visualization, wartime codebreaker, World War II | Leave a comment